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Reddington, H. (2021). She's at the Controls. Sound Engineering, Production and Gender Ventriloquism in the 21st Century. Equinox Publishing. https://doi.org/
Reddington, Helen. She's at the Controls: Sound Engineering, Production and Gender Ventriloquism in the 21st Century. Equinox Publishing, 2021. Book. https://doi.org/
Reddington, H (2021): She's at the Controls: Sound Engineering, Production and Gender Ventriloquism in the 21st Century, Equinox Publishing, [online] https://doi.org/
Reddington, H. She's at the Controls. Equinox Publishing, 2021.
Reddington, Helen. She's at the Controls. Equinox Publishing, 2021. doi.org:
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Book
She's at the Controls
Toggle the cite modalSound Engineering, Production and Gender Ventriloquism in the 21st Century
She's at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music includ... Read more
Published: 2021
Pages: 226
eBook: 9781781796528
Paperback: 9781781796511
ePub: 9781800500495
She's at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are preceded by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette. A range of supporting material from academic works to technical publications and popular music journalism is used to expand and critique the discourse.
Helen Reddington
Helen Reddington teaches at the School of Arts and Digital Industries at the University of East London, UK.